Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Bernardo Bellotto
Das kaiserliche Lustschlob Schlobhof, Gartenseite

ID: 91921

Bernardo Bellotto Das kaiserliche Lustschlob Schlobhof, Gartenseite
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Bernardo Bellotto Das kaiserliche Lustschlob Schlobhof, Gartenseite


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Cracow Suburb as seen from the Cracow Gate. | Pulkownik Piotr Konigsfels udziela lekcji jazdy konnej ksieciu Jozefowi Poniatowskiemu. | Die Dominikanerkirche in Wien | Arno in Florence. | Capriccio, Palasttreppe |
Related Artists:
Jan Hendrik Weissenbruch
painted Milking cows underneath the willows in
Henry Roderick Newman
1843-1917
TURCHI, Alessandro
Italian Baroque Era Painter, 1578-1649 Italian painter. He first studied in Verona with Felice Brusasorci in whose studio he was recorded in 1597 (Brenzoni). Dal Pozzo reported that Turchi completed Brusasorci's Fall of the Manna (Verona, S Giorgio) after his master's death in 1605; his early Veronese paintings, such as the Adoration of the Shepherds (1608; Verona, S Fermo), are ambitious, with many figures and elaborate backgrounds, echoing the local tradition of which Paolo Veronese was the most distinguished exponent. Turchi may have gone to Venice with his fellow pupil, Marcantonio Bassetti, before moving to Rome c. 1614-15. He was paid for work in the Sala Regia of the Palazzo del Quirinale in 1616-17 (Briganti), where he collaborated with a team of artists, among them Giovanni Lanfranco and Carlo Saraceni. His part was to paint an oval medallion with the Gathering of the Manna (in situ) in a style that suggests Lanfranco's influence. He soon found patrons for altarpieces and cabinet paintings, among them Cardinal Scipione Borghese. By 1619 he had settled permanently in Rome and was a member of the Accademia di S Luca,






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